Composition image
via stinop
1.
Why is " unscientific" and "againe".
2.
Perspective in painting and photography.
3.
Search Reverse Perspective in optics .
4.
Reverse
Perspective in optics and use its in practice .
5.
Technical difficulty of use Reverse Perspective
.
6. Rider
.
7. Links
.
Before it
linear perspective was admited as right, any other perspective were being
look up as wrong. Liner perspective is method of image from 3D space to
2D plane. If this type perspective apply one thing will be bigger than
same too but situated far and parallel lines will intersect to horizont.
Theory of linear perspective was developed in epoch of Revival. This theory
is based on simply optic principle and is prove out by practice very well.
Reflection 3D-space to plane
into camera-obscura via a small aperture (stinop) at first and via lens
after is submited by linear perspective wholly.
Compositions of image for these optic system are good known from school course of physics. If you didn't see it in school-book you can remeber them looking at drw. 1 и 2.
Composition image
via stinop
Compsition image via lens
Human eye
is camera-obscure with simply single crystlline lens objective and
so linear perspective is merely true. And so painters have been taught
only linear perspective many centuries. While people haven't flown to space
and began docking on orbit...
B.
Raushenbach was of opinion that image in retina wasn't final
result. Eye is only sensor. True image is created by brain through transformation
data from two eyes. Soviet academic composed differential equation of brain
work and found very interesting deduction.
Every perspective is true and scientific because it have strict mathematical delineation. They are mathematical equivalent.
It is all . It is all good and well but we have one trouble Reversel Perspective is as complex number only in math and imagination . It can't be fixed in really without transfomation in brain.
Now than painters
have a privilege over photopainters because they can select type perspective.
Painter can image space in any perspective depending his tasks – the parallell
perspective (perspective geometry)as in antiquity, reverse perspective
as in the Dark Ages time or liner. Photopainters have only linear perspective
for ages and can change only coefficient of linear changing focus distant
of objective lens but perspective will be linear anyway.
It is eternal
problem. The nose of man in any photo larger reality because it closer
to lens. Portait objective lens can decrease this distortions but cannot
remove their. Knees of sitting
people in the photo have size
of their head.
Your brain
needs make reversal convertations when you look at such photo. Naturally
perception is breaking. Photos of Russia antiquity or perspective geometry
style can’t be made. All book about photocomposition lean linear perspective.
If anyone photographer tried escaping linear perspective he should do a
photomontage.
It’s a great sorrow. The endless discussion about immaculacy The Photo as Art determined in Painter favour. Do your like this determination ?
Reception
of Reverse Perspective.
I don't describe
the building because it is very simple and any school boy can made it himself.
Why hasn't anybody made it early ? I have other question for it. Why haven't
laws of linear perspective be made until Renaissance Epoc though they seems
understanding for child.
Anyhow I tell you this building
has been made by me in 1989 year and I have shoted a photo with Reverse
Perspective.
This
story show we need provide next requisitions for Reverse Perspective:
A1O1 <
( O1O * F1 ) / ( O1O - F1 ) and
OO1 - F1
< Fo ,
where A1O1 - distant
from object to collective lenz
O1O - distant from collective lenz to objective
F1 - focus distant collective lenz
Fo - focus distant objective
If you use standart
camera you need also provide
A1O1 < F1 .
I can send you formulas for tuning range-finder or scale photocameras through e-mail.
The Parallel Perspective is such perspective where parallel lines is imaged as parallel lines and two thing same size but disposing on different distant from camera is imaged same sized. This perspective is realised same simple. Optic building is in на рис. 4 .
The Parallel Perspective
This is all.
The Reverse Perspective and Parallel Perspective are scientific and exist.
Ancient painter were in the right. They looked at the world and at things
through a huge lens and scrutinized their. Their painting have got depth
, closeness and revelation in one time.
Their painting have got a spirit
of the Creator where he looks at his World and a viwer looks at this paint
via the Creator eyes. This World is unique because it have a border and
this border is the Infinity! The Reverse perspective can't display The
Infinity. The parallel lines in this system are disvaricating. We can't
catch sight of thing whole if we retire from it. We can see only part of
it after only structure of surface after only corpucules of substance and
so on. But I think this theme more suit for philosophers.( P.A.Florensky
Near Watershed thought III. The Reverse Perspective ).
The collective lenz must be a larger viwer objects and its focus distant must be larger distant for border viwer space. The ancient painter didn't have such huge lenz and their brains made these transformations as it decribed the perspective theory of Raushenbach . These transformations are like as transformations in modern digital cameras. The image from lenz is digited at first then transformed and added effects (zoom, stabilization,solarisation etc) and after saved or printed.
foto 1
5.2 Focus distant of collective lenz must be larger than distant to image space border but distant from collective lenz to objective must be larger his focus distant.
5.3 If outside light gets between lenz and objective contrast declines.
5.4 The standarts camera has distant from objective to film less focus distant of objective and only a small lenth can be used for reverse perspective. It is painted in drw. 3.
5.5 The objective must be strong diaphragm for things on different distance.
7. Links
P.A.Florensky
Near Watershed thought III. The Reverse Perspective
Raushenbach
B.V. The Bias . How do we see today
Harmony
and Algebra
Copeycin
Cirill Quantum front of the world
Icon
and coenobite
The
Easter thoughts The Crucify God
